Zhuoheng LI
李卓恒
In Zhuoheng's undergraduate and postgraduate studies, His research interests are the study of the problems of the society under the structure of staged photography and the development of the visual symbolic connection to social events in the field of contemporary art by combining the doctrine of Taoism and Hume's sensory ego. And he has created the three groups of works based on this, which are No Matter, Noctiflorous, and Maintain. Zhuoheng's visual structure and image narrative logic is clear, and he is skilled in using various media and has his own visual characteristics and style. During his postgraduate studies, he was highly recognised by his tutors and participated in various exhibitions and competitions. At the same time, Zhuoheng actively engaged in interdisciplinary work during his studies, broadening the concept of his photographic work to include public art, digitalisation, sociology and biomaterials.
李卓恒在本科和研究生的研究方向为当代艺术场域下的结合道家学说和休 谟“感官自我”对基于导演摄影结构下的社会的问题研究和发展对于社会事 件的视觉符号连接，并基于此创作了《无妨》《夜间所开的花》和《保持》 三组作品。 李卓恒的视觉结构和图像叙事逻辑清晰，对各类媒介熟练运用，并拥有自 己的视觉特色和风格。在研究生学习期间受到导师的高度认可，并参与各 类展览和比赛。同时，李卓恒在学习期间积极开展跨学科工作，将其摄影之作品拓宽概念至公共艺术、数字化、社会学和生物材料中。